The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
The White Goat Band: Our Story
Hey folks!
Well, here we are again, back in Melbourne, Australia! We decided to make the move back across the ditch to be closer to our family and grandkids. After a short hiatus to get things in order, I reached out to our old bandmates to see if they were keen to make some music together. Lucky for us, we brought the phrase "getting the band back together" into reality. It’s all systems go, and we are back out entertaining like we were never apart—bringing live music back to Melbourne!
If you have only just discovered the White Goat Band, here is a bit of history about myself, the band, and where we stand today after some 24 years of performing.
Humble Beginnings & Early Bands
Sharon (Bass Guitar) and I were taught by a very patient group of teachers at Bream Bay College in Ruakaka, New Zealand. Rose Waerea was the head of the Music Department, supported by guitar tutors Gordon Lee, Alex Wallace, and Terry Toohill. Sharon and I were quick learners and were soon playing working gigs with Rose and Gordon’s band, Red Wing. We were really enjoying playing music and actually getting paid for it!
In the meantime, a bunch of our mates had formed a band at school featuring Sharon Rowson (Henderson) on bass, Douglas Gordon on guitar, Kayne Slack on drums, and myself on guitar and vocals. One particular day, we were performing at the local shopping center to raise money for new gear for the school's music department. We were approached by a man from the local Darts Club who asked if we would play a gig! We were thrilled, even though we only had a repertoire of about 8 songs. Over the next few weeks, we practiced frantically and managed to boost our set list to around 60 songs.
Since we didn't have a name yet, the Darts Club held a "Name the Band" contest, and we were dubbed 4x4. It soon became clear we were onto a good thing as more bookings rolled in. We brought on more talent, including Colin Ogle blowing a mean saxophone and Nicole King (Paterson) on guitar and vocals, changing our name to Six Pack.
As our school years came to a close, the band line-up evolved. Sharon, Colin, my dad (Ken Henderson) on guitar and vocals, and I kept up regular gigs, with Steve Fraser ("Pedro") stepping in on drums. Eventually, Colin left for university.
Feeling it was time for something new, I started another group with myself, Barry Murray (Bass), Clinton Somner (Drums), and Gina D’Ath (Vocals). It was a lot of fun with some awesome gigs, but the group split after a short run as we were all young and starting our careers. Sharon began her nursing training and I started my apprenticeship as a mechanic.
Still keen to play, I auditioned for a band called Side Winder and was hired as the lead guitarist. Led by Jan MacPherson (Bass & Lead Vocals), alongside Pete Cornes (Guitar/Vocals) and Jimmy Donaldson (Drums), it was great to be gigging again.
The Birth of "White Goat"
Around the time Sharon and I got married, I decided to start a side project. I called on Pedro (drums), Barry Murray (bass), and Anthony Logan (guitar). We initially called ourselves Kahlua, playing all over the region and traveling monthly down to the Waikato to perform at the Waihou Tavern.
It was after one fateful night at the Waihou Tavern that—as a joke—we changed our name to White Goat! The idea was to take the piss out of our bass player, who was literally on the hunt for a white goat in the main street of Waihi. The name stuck!
The band was enjoying great success until Pedro had to leave due to an elbow operation. I called upon my good friend Jimmy Donaldson from Side Winder to fill his shoes. We kept playing until Sharon and I moved down to Matamata for work.
Once settled in Matamata, I was going stir-crazy without music. Knowing no local musicians, I took a long shot and called Barry and Jimmy to see if they were keen to restart the band—even though we lived four hours apart. They said yes! We played numerous gigs, but the distance eventually took its toll, and Barry decided to leave. Shortly after, Jimmy and his family moved to Tauranga.
Building the Legacy
The time had come to ask Sharon if she was prepared to pick up the bass guitar again. However, timing didn't align just yet—she was pregnant with our son, Joel!
During this time, I jammed on and off with musicians from a band called Zenith in Morrinsville. They introduced me to a kick-ass bass player named Jason Cameron. With Jason on board, the White Goat Band was back and kicking, playing gigs all over the North Island.
When Jason eventually moved to Australia, Sharon was ready to return to the bass. She played like she’d never been away! We asked my dad, Ken, to join us, turning White Goat into a four-piece (Sharon, Jimmy, Ken, and myself).
We started playing private functions around Matamata, and John Price at the Matamata Club gave us a shot at regular venue bookings. Word spread, and the crowds grew with every performance. By the year 2000, Jimmy decided it was time to move on. Mike McKinley stepped up to fill "Jimmy the Hammer's" big shoes without missing a beat.
Now consisting of Sharon, Mike, Ken, and me, White Goat was in high demand for weddings, birthdays, corporate functions, pubs, and clubs. Ken eventually retired from the group, leaving us as a power trio. In 2006, we released our first self-produced CD, Under the Influence.
The Australian Chapter & Beyond
Shortly after, my job required a relocation to Australia, and soon our family was living across the Tasman. We knew it would be hard work building a fan base from scratch, but we were up for the challenge.
In 2010, we released our second album, Rehab, and the gigs began to flow. In early 2011, we attended our first Tamworth Country Music Festival, where we were runners-up in the Busking Competition.
When Mike moved back to New Zealand for family commitments, Grant Miles ("Grantos") took over on drums. We also expanded back into a four-piece by adding the talented singer-guitarist Leanne Cryer.
After years of great party and function performances, Grant relocated his family to Townsville. Searching for a new drummer, I happened to spot a young lady singing and playing guitar at a local open mic night. Impressed by her flawless timing, I mentioned it to the host, who laughed and said, "She should be good—she’s actually a drummer!" That was Julia Bebenek. After her set, I introduced myself, asked if she wanted to join, and soon we were rehearsing and playing gigs with an "all-girl" line-up (and me!).
In 2019, a new chapter began when we returned to New Zealand to manage the family orchard. We reinvented the band on NZ soil once again, bringing in my brother Gerald on drums. His passion and amazing feel had people grooving right away, and we quickly carved our way back into the local scene.
One evening while playing at the Hamilton Workingmen's Club, we spotted Wendy Thornton in the crowd. She had just returned from Nashville after touring on cruise ships with her husband, Phillip. Before long, Wendy joined White Goat, bringing a world of knowledge, energy, and keyboard skills that unlocked a huge array of new songs. We launched into a whole new tier of gigs, playing stadiums for large corporate events and bringing on Phillip Thornton (Guitar), Colin Ogle (Sax), and the legendary Mike McKinley (Guitar) for major shows. It was an awesome six-year ride!
As you can see, there have been many iterations of White Goat over the years—which might give you a second reason why our first album was named Under the Influence!
We honor each and every musician who has shared the stage with us over the last 30+ years. Every single one of them has helped make the White Goat Band what it is today.
Baaaaaaaa!
Steve & Sharon Henderson
